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CURATED PATRON CIRCLE
For those drawn to the unfolding.
A quiet entry point into the process behind ALCHEMEA.
Includes studio notes, early works, and fragments of becoming.
For those who are deeply aligned with the work.
Includes all previous access, alongside:
— Invitation to the studio sanctuary in the Cotswolds
— A private, in-person viewing of the full series
— Time within the gallery space — held through intimate, hosted encounters, including private 1:1 walkthroughs and conversations during the exhibition
Access extends across the life of the exhibition.
This is a considered and limited offering.
Welcome to the Curated Patron Circle.
In the tradition of Italian patronage, this exclusive opportunity invites you into a direct relationship with the artist’s completed ALCHEMEA series and future work. As a descendant of the Rococo master Fedele Fischetti, whose works continue to command attention at Sotheby’s and Christie’s, the artist’s practice extends this legacy of art and empowerment.
By supporting this work, patrons not only collect a piece of the present, but invest in a continuing artistic legacy. Master and Preview patrons gain intimate insight into what follows, within the artist’s alchemical studio — an exclusive space of creation, connection, and legacy
Patron Alignment
This circle is built on alignment rather than access alone.
Each level reflects a different. way of entering the work:
-Witnessing
-Encountering
-Supporting
-Inhabiting
Cotswolds studio sanctuary
For those who wish to step inside.
An intimate studio encounter from my Cotswolds space —entering the environment where the work is created, held, and evolving.
A guided walkthrough of selected works and process, shared in real time.
For those invited into a more sacred encounter with the work.
A private pre-opening encounter with the work.
A guided, 1:1 walkthrough — sharing the language, process, and presence behind each piece.
Held in the days leading up to the public opening.
What Patrons Make Possible
Patron support sustains:— the space that holds the work
— the materials and processes involved
— the ability to present the work with integrity
— intimate and considered exhibition formatsThis is not sponsorship, but participation in the life of the work.